Difference between revisions of "Exe0.2 Eric Snodgrass"

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Defer, defer.
//a direct continuation, in draft form, of [[Exe0.1_Eric_Snodgrass|text for Exe0.1]]
 


[[File:Scissors.png|240px|thumb|Antoine-Augstin Cournot's 1838 scissor diagram, part of a series of what are thought to be the first recorded uses in economics of geometrically plotted supply and demand curve analysis, image from Thomas Humphrey, "Marshallian Cross Diagrams and Their Uses before Alfred Marshall: The Origins of Supply and Demand Geometry", 1992, p.5]]
[[File:Scissors.png|240px|thumb|Antoine-Augstin Cournot's 1838 scissor diagram, part of a series of what are thought to be the first recorded uses in economics of geometrically plotted supply and demand curve analysis, image from Thomas Humphrey, "Marshallian Cross Diagrams and Their Uses before Alfred Marshall: The Origins of Supply and Demand Geometry", 1992, p.5]]


[[File:YoHa_book_stabber_colour.jpg|450px|thumb|YoHa, Invisible Airs, "pneumatic contraption" for "open data book stabbing"]]
[[File:YoHa_book_stabber_colour.jpg|450px|thumb|YoHa, Invisible Airs, "pneumatic contraption" for "open data book stabbing"]]
'''references'''
Cayley, John. “Terms of Reference & Vectoralist Transgressions: Situating Certain Literary Transactions over Networked Services.” ''Amodern 2: Network Archaeology''. 2013. Web. http://amodern.net/article/terms-of-reference-vectoralist-transgressions/
Chun, Wendy Hui Kyong. “Crisis, Crisis, Crisis, or Sovereignty and Networks”. ''Theory, Culture & Society'', Vol. 28(6):91-112, Singapore: Sage, 2011. Print.
Chun, Wendy Hui Kyong. ''Updating to Remain the Same: Habitual New Media''. Cambridge, Massachussetts: The MIT Press, 2016. Print.
Cox, Geoff. ''Speaking Code: Coding as Aesthetic and Political Expression''. Cambridge, Massachussetts: The MIT Press, 2012.
Cox, Geoff. “Critique of Software Violence.” ''Concreta 05'', Spring 2015. Web. http://editorialconcreta.org/Critique-of-Software-Violence-212
Emden, Christian J. ''Nietzsche's Naturalism: Philosophy and the Life Sciences in the Nineteenth Century''. Cambridge University Press, 2014. Print.
Foucault, Michel. ''The Foucault Reader''. Ed. Paul Rabinow. New York: Pantheon, 1984. Print.
Foucault, Michel. ''The Birth of Biopolitics: Lectures at the Collège de France 1978–1979''. Trans. Graham Burchell. New York: Palgrave Macmillan, 2008.
Fuller, Matthew. ''Media Ecologies: Materialist Energies in Art and Technoculture''. Cambridge, Massachusetts: The MIT Press, 2005. Print.
Harwood, Graham. ''Database Machinery as Cultural Object, Art as Enquiry''. Doctoral dissertation. Sunderland: University of Sunderland, 2015. Print.
Howse, Martin. “Dark Interpreter – Provide by Arts for the hardnesse of Nature.” ''Occulto Magazine'', Issue δ, 2015.
Kittler, Friedrich. ''Optical Media: Berlin Lectures 1999''. Tr. Anthony Enns. Cambridge, England: Polity Press, 2010.
Mirzoeff, Nicholas. “Control, Compute, Execute: Debt and New Media, The first Two Centuries.” ''After Occupy''. Web. http://www.nicholasmirzoeff.com/2014/wp-content/uploads/2015/11/Control-Compute-Execute_Mirzoeff.pdf
Pasquinelli, Matteo. "What an Apparatus is Not: On the Archeology of the Norm in Foucault, Canguilhem, and Goldstein." ''Parrhesia'', n. 22, May 2015, pp. 79-89. Web. http://www.parrhesiajournal.org/parrhesia22/parrhesia22_pasquinelli.pdf
Plant, Sadie. ”The Future Looms: Weaving Women and Cybernetics.” In Mike Featherstone and Roger Burrows (eds.), ''Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Embodiment''. London: Sage Publications, 1995.
Schrimshaw, William Christopher. “Undermining Media.” ''artnodes'', No.12: Materiality, 2012. Web. http://artnodes.uoc.edu/index.php/artnodes/article/view/n12-schrimshaw
Turing, Alan M. ”On Computable Numbers, with an application to the ''Entscheidungsproblem''.” ''Proceedings of the London Mathematical Society'', Second Series, V. 42, 1936, p. 249. Print.
Whitelaw, Mitchell. “Sheer Hardware: Material Computing in the Work of Martin Howse and Ralf Baecker.” ''Scan: Journal of Media Arts Culture'', Vol.10 No.2, 2013. Web. http://scan.net.au/scn/journal/vol10number2/Mitchell-Whitelaw.html

Revision as of 18:43, 18 April 2016

//a direct continuation, in draft form, of text for Exe0.1

Antoine-Augstin Cournot's 1838 scissor diagram, part of a series of what are thought to be the first recorded uses in economics of geometrically plotted supply and demand curve analysis, image from Thomas Humphrey, "Marshallian Cross Diagrams and Their Uses before Alfred Marshall: The Origins of Supply and Demand Geometry", 1992, p.5
YoHa, Invisible Airs, "pneumatic contraption" for "open data book stabbing"

references

Cayley, John. “Terms of Reference & Vectoralist Transgressions: Situating Certain Literary Transactions over Networked Services.” Amodern 2: Network Archaeology. 2013. Web. http://amodern.net/article/terms-of-reference-vectoralist-transgressions/

Chun, Wendy Hui Kyong. “Crisis, Crisis, Crisis, or Sovereignty and Networks”. Theory, Culture & Society, Vol. 28(6):91-112, Singapore: Sage, 2011. Print.

Chun, Wendy Hui Kyong. Updating to Remain the Same: Habitual New Media. Cambridge, Massachussetts: The MIT Press, 2016. Print.

Cox, Geoff. Speaking Code: Coding as Aesthetic and Political Expression. Cambridge, Massachussetts: The MIT Press, 2012.

Cox, Geoff. “Critique of Software Violence.” Concreta 05, Spring 2015. Web. http://editorialconcreta.org/Critique-of-Software-Violence-212

Emden, Christian J. Nietzsche's Naturalism: Philosophy and the Life Sciences in the Nineteenth Century. Cambridge University Press, 2014. Print.

Foucault, Michel. The Foucault Reader. Ed. Paul Rabinow. New York: Pantheon, 1984. Print.

Foucault, Michel. The Birth of Biopolitics: Lectures at the Collège de France 1978–1979. Trans. Graham Burchell. New York: Palgrave Macmillan, 2008.

Fuller, Matthew. Media Ecologies: Materialist Energies in Art and Technoculture. Cambridge, Massachusetts: The MIT Press, 2005. Print.

Harwood, Graham. Database Machinery as Cultural Object, Art as Enquiry. Doctoral dissertation. Sunderland: University of Sunderland, 2015. Print.

Howse, Martin. “Dark Interpreter – Provide by Arts for the hardnesse of Nature.” Occulto Magazine, Issue δ, 2015.

Kittler, Friedrich. Optical Media: Berlin Lectures 1999. Tr. Anthony Enns. Cambridge, England: Polity Press, 2010.

Mirzoeff, Nicholas. “Control, Compute, Execute: Debt and New Media, The first Two Centuries.” After Occupy. Web. http://www.nicholasmirzoeff.com/2014/wp-content/uploads/2015/11/Control-Compute-Execute_Mirzoeff.pdf

Pasquinelli, Matteo. "What an Apparatus is Not: On the Archeology of the Norm in Foucault, Canguilhem, and Goldstein." Parrhesia, n. 22, May 2015, pp. 79-89. Web. http://www.parrhesiajournal.org/parrhesia22/parrhesia22_pasquinelli.pdf

Plant, Sadie. ”The Future Looms: Weaving Women and Cybernetics.” In Mike Featherstone and Roger Burrows (eds.), Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Embodiment. London: Sage Publications, 1995.

Schrimshaw, William Christopher. “Undermining Media.” artnodes, No.12: Materiality, 2012. Web. http://artnodes.uoc.edu/index.php/artnodes/article/view/n12-schrimshaw

Turing, Alan M. ”On Computable Numbers, with an application to the Entscheidungsproblem.” Proceedings of the London Mathematical Society, Second Series, V. 42, 1936, p. 249. Print.

Whitelaw, Mitchell. “Sheer Hardware: Material Computing in the Work of Martin Howse and Ralf Baecker.” Scan: Journal of Media Arts Culture, Vol.10 No.2, 2013. Web. http://scan.net.au/scn/journal/vol10number2/Mitchell-Whitelaw.html